ArchivesSpace at the University of Iowa

Article gives an overview of Tom Phillips' work during his residency/festival in Raleigh, 1992. -- Source of annotation: Marvin or Ruth Sackner.

This is a review of the Tom Phillips "A Humument" exhibition at the Kamin Gallery, Van Pelt Library of the University of Pennsylvania. The Sackner Archive lent the works to this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition "Africa: The Art of a Continent" at the Guggenheim Museum was curated by Tom Phillips and was a much smaller version of the show initiated at the Royal Academy in London. The Archive holds the RA catalog. The Sackners attended both the London and New York exhibitions. -- Source of annotation: Marvin or Ruth Sackner.

Out of Africa, by Steven Vincent reviews the exhibition curated by Tom Phillips "Africa: Art of a Continent" opening at the Guggenheim Museum. The show which was principally curated for the Royal Academy in London presents the Africa continent's "objects...as works of art equal in aesthetic quality to Western artwork." The Sackner Archive holds the elegant, well illustrated catalog for this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

John Russell reviews the exhibition of Tom Phillips in the Lefebre Gallery, New York including a detailed description of "A Humument." The Sackners attended this exhibition and the large exhibition in the Basle Kunsthalle. -- Source of annotation: Marvin or Ruth Sackner.

Brief review of Tom Phillips' exhibitions in London in November 1992, viz., Royal Academy, Berggruen & Zevi, Angela Flowers. -- Source of annotation: Marvin or Ruth Sackner.

The cover is a reproduction of Tom Phillips' "Dante in His Study." Pat Gilmour reviews Phillips' exhibition at Marlborough Fine Arts. -- Source of annotation: Marvin or Ruth Sackner.

This review of Personal Choice: Selections from Four Alumni Collections states that "the Sackner section, installed on the second floor of the ICA, is the most intellectually challenging part of the show." -- Source of annotation: Marvin or Ruth Sackner.

Review of the ICA exhibition "Personal Choice: Selections from Four Penn Alumni Collections" at the University of Pennsylvania in which the Sackner Archive participated. -- Source of annotation: Marvin or Ruth Sackner.

This is an exhibition review of British Art from the Sackner Archive held at the Bass museum. -- Source of annotation: Marvin or Ruth Sackner.

This is a review of Tom Phillips' Slade Lectures. The Sackners attended two of the eight and were interviewed by Vetta at one of them. She wrote the following. "At the opening I met a charming couple from Miami who have been collectors of Tom's work since they saw his 1974 exhibition. They thought it was the work of more than one artist. I asked what attracted them in addition to the diversity. They replied 'his wit and intellect.' I would add to that his sensitivity to color." -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive lent unique pages from the first revised edition of "A Humument" by Tom Phillips to this exhibition at UC San Diego's Mandeville Gallery. -- Source of annotation: Marvin or Ruth Sackner.

Gertrude Nuding composed this text describing Tom Phillips' creation of the DVD portrait of the Director of the RI, Susan Greenfield. The Sackners were invited by Phillips to participate in the vernissage of the electronic portrait and the preliminary drawings at the Royal Institution in November, 2000. -- Source of annotation: Marvin or Ruth Sackner.

This relates to Phillips' exhibition at the Yale Center for British Art, April through June 12, 1994. The Sackners lent six works to this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Tom Phillips states "he remains sceptical that photography can be considered an art form" in this preview article on the RA 150 years of photography exhibition. -- Source of annotation: Marvin or Ruth Sackner.

John Furnival writes a personal note on the top of a review article of the Sensations exhibition at the Royal Academy. The reviewer states, "Tom Phillips showed skulls at the Dulwich Gallery last year, and though they were not as gory as Marc Quinn's cranial efforts at the Sensation show, the availability of a comparison of the work of a grand old man and an Academician to boot, and the oh-so new offering of the anti-Academician tendency was telling. The theme of the body as the surprising temple of the spiritual is perennial and inexhaustible. But the new wave is adding very little, even in terms of style. The forms they are using have already been plundered, and have had the surprise knocked out of them." -- Source of annotation: Marvin or Ruth Sackner.

Review of Dante's Canto V produced by Tom Phillips and Peter Greenaway for television. -- Source of annotation: Marvin or Ruth Sackner.

Review of Phillips' exhibition at Flowers Gallery. -- Source of annotation: Marvin or Ruth Sackner.